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Going Mobile – Portable Filmmaking

Fri, May 8, 2009

Filmmaking, Travel

So, I’m planning another trip out of the country and the fist thing that came to mind was how heavy my bags and gear were on my last trip. After my last trip, I’d already decided that I absolutely had to travel lighter on future international excursions.

I have always made an effort to travel light however, my trip to Germany and Ireland in 2007 was the first time I officially traveled as a filmmaker. I took with me my Panasonic DVX100B, full sized tripod, mini tripod, one full sized high wattage light, 15″ laptop, and a whole host of other gear I never used. It was the first time I’d carried a large suitcase as well. The suitcase needed to be large enough for my full sized tripod to fit collapsed. That’s still a pretty big bag. I didn’t like it at all.

So now I’m planning what looks like a trip to Singapore and Thailand and I have to travel light. Here are some of the issues I faced on my last international trip.

1. I worried about overweight baggage fees every time I had to catch a flight. At my home airport, I had to run to a gift shop, buy another bag, and transfer some items from the large bag to the new smaller bag to avoid paying $80 in overweight baggage fees. Later, I ended up having to pay $250 Euros on my trip from Ireland to Frankfurt because of my overweight bag. That was almost $200 Euros more than the actual cost of the plane ticket! **The airline was Lufthansa which does well on long flights (I flew from the US to Frankfurt with the same bags with no charges) but does not do well on short flights (I guess you have to travel damn near naked on short flights).

2. I had to lug around a heavy bag and my backpack. I did plan ahead with this as best as possible but the reality is, my bags were heavy. The smaller bag I had to buy at the airport fit on top of the larger bag and the large bag had wheels so I could just pull them around but again, the bags were heavy and I felt like I was running a marathon anytime I had to move them. I also stayed in a 3 story hotel in Germany with no elevators (yep I was on the top floor), and a 3 story B&B in Dublin with no elevators of course (and on the top floor again). So it was quite unpleasant trying to get my bags up and down the stairs. My backpack was also heavy because in it were my Panasonic DVX100B, 15″ laptop, batteries, tapes, microphones, etc.

3. I drew too much attention for my taste by using my fancy camera and carrying around my tripod. This by far became the biggest issue for me, although I had no idea I would be bothered by this prior to this trip. This is more of a personal preference if you will. I know many filmmakers who have no issues with drawing attention while they film, it comes with the job. However, I do not like this at all. For me there are some safety concerns as well as creative concerns. Some things to consider… I was grilled at the airport in Frankfurt about whether or not I’d filmed anything when I went to the Reeperbahn. My camera is always thoroughly checked at the security check points. This means pulling out all your gear for everyone at the check point to see (Not very safe; especially when they do it while you have to take your shoes off and on and you can’t glue your eyes to your stuff).

A funny thing… I was carrying around my tripod in it’s bag while in Dublin and I was riding the buses a lot. I got on this one bus and the driver asked me “Is that a gun?”. I had to laugh, it did look like a rifle bag. But what was really interesting is that the driver was serious but he didn’t seem at all concerned if it were a gun. Funny those Irish folks are. :)




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This post was written by:

Tressa Sanders - who has written 107 posts on Three West.

Tressa Sanders, founder of Three West Creative Development, Asabi Publishing, and Ijaba Films, provides active learning, workshops for business Image, publishing, creative writing, graphics design, and filmmaking. In addition, she has authored the curriculum for the Big Bad Business Image, Concise Publishing, and Creative Writing workshops as well as several literary titles. Tressa also holds a Bachelor’s of Science degree in Psychology and authored the introduction for a book titled “A Peek Inside the Goo: Depression & The Borderline Personality”. Prior to becoming a filmmaker, Tressa was a well established Information Technology professional working with the largest IT, communication, utilities and financial companies in the country. Some of the companies Tressa has worked for include, the New York Independent System Operator, GE Capital Business Asset Funding, IBM Global Services, AT & T Wireless, Hewlett Packard, MCI/Worldcom, GTE, and Sprint. Her areas of expertise include: Publishing Startup & Planning, Business Image Planning, Creative Writing Development, Effective Graphics Design, Cost Conservative Filmmaking.

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