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	<title>Three West &#187; movies</title>
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		<title>Useful Tools For Independent Filmmakers</title>
		<link>http://www.threewestcreative.com/2396/useful-tools-for-independent-filmmakers/</link>
		<comments>http://www.threewestcreative.com/2396/useful-tools-for-independent-filmmakers/#comments</comments>
		<pubDate>Sun, 18 Oct 2009 00:01:32 +0000</pubDate>
		<dc:creator>Tressa Sanders</dc:creator>
				<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[adobe]]></category>
		<category><![CDATA[adobe premier]]></category>
		<category><![CDATA[best films]]></category>
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		<category><![CDATA[independent]]></category>
		<category><![CDATA[independent film]]></category>
		<category><![CDATA[independent filmmaker]]></category>
		<category><![CDATA[making films]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[outline software]]></category>
		<category><![CDATA[production]]></category>
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		<guid isPermaLink="false">http://www.threewestcreative.com/?p=2396</guid>
		<description><![CDATA[Becoming a filmmaker is a big step that requires you to use and have access to many resources in order to not only make the best films you can but to handle all tasks not related to a specific film project. There is a lot more to making films than just the movies themselves. I [...]]]></description>
			<content:encoded><![CDATA[<p>Becoming a filmmaker is a big step that requires you to use and have access to many resources in order to not only make the best films you can but to handle all tasks not related to a specific film project. There is a lot more to making films than just the movies themselves. I have taken some time to gather a list of resources that have helped me become a self-sufficient independent filmmaker. </p>
<p><strong>Pre-Production:</strong><br />
<strong>Movie Outline Software</strong> http://www.movieoutline.com &#8211; It is essential to make a detailed outline of your film before you do anything. It will help you understand your story better which will help you move to the next step of writing the script. This software will help you to quickly and easily create an outline for your film projects. I&#8217;ve even written an entire script in this program (not what the software is for). The price has gone up significantly since I first purchased it so I can only recommend it if you really really need it.</p>
<p><strong>Celtx Software</strong> http://celtx.com &#8211; This is <strong>thee</strong> software to have if you are an independent filmmaker. It is the one stop shop for all your filmmaking needs (wow that&#8217;s corny&#8230; but true). I use this program exclusively for writing outlines, scripts, creating lists of cast, crew, props, and sets, putting together my shooting schedules and much more! And best of all&#8230; It&#8217;s <strong>FREE</strong>!</p>
<p><strong>Production:</strong><br />
I don&#8217;t have anything to add as a resource during the production phase because all I&#8217;m concerned about during this time is shooting.  I&#8217;m not logging any tapes, filling out any forms or any other paper work. I&#8217;m shooting my scenes according to my shooting schedule, making changes to my script on the fly and watching the tapes after each shoot to catch any issues that need to be addressed by re-shooting. </p>
<p><strong>Post-Production:</strong><br />
I&#8217;ll also keep this section simple because I don&#8217;t want you to get hung up on what tools to use for editing your film if you decide to edit the films yourself (I don&#8217;t plan to edit my films anymore.) You do need professional tools for editing; not necessarily for trimming and ordering but definitely for color correction, effects, transitions, and audio processing. I use Adobe Premier because it&#8217;s very easy to use. I use it to trim my footage, put the film together in the sequence it&#8217;s going to be in, and arrange the audio for the film. I use Adobe After Effects for everything else (for the video only. I never import the audio.), such as color correction (the first thing I worry about), and any other necessary effects like camera movements and transitions. Lastly, I use Adobe Audition to process any problematic audio (I try my best to shoot perfect audio so it is not something I have to &#8220;fix&#8221; when editing). Once I&#8217;ve corrected problematic audio in Adobe Audition, I import it back into Adobe Premier. Adobe Premier automatically links to Adobe Soundbooth for editing audio but Adobe is crazy. Soundbooth is a substandard audio program and I don&#8217;t know why they think film audio doesn&#8217;t need as much care as a musician&#8217;s audio. Adobe Audition has been around for longer than Adobe has owned it (used to be Cool Edit) and has outstanding, easy to use audio processing tools. </p>
<p><strong>Release:</strong><br />
<strong>Kunaki.com</strong> &#8211; $1.75.  Yes, that&#8217;s right. For $1.75 each you get retail ready DVDs plus full color covers and inserts using Kunaki.com. These DVDs and the printing are of the same quality you see in retail stores. To make this even sweeter, these DVDs are made on demand! So you don&#8217;t need to shell out hundreds or thousands of dollars for stock you may never get rid of. </p>
<p><strong>Filmbaby.com</strong> &#8211; If you want great personal customer service from a respected industry company with a great history with indie artists, this is the company for you! Filmbaby.com is owned by the same people who own CDbaby.com and they offer affordable easy to use services for selling your films. And best of all, they accurately report sales and pay you when they are supposed to pay you&#8230;consistently. Switching all of my films over to them is the best thing I could have done for myself. </p>
<p><strong>Promotional:</strong><br />
I can&#8217;t stress to filmmakers enough how important it is to have a website for your film company and/or your individual films. Let&#8217;s face it, many of of the earth&#8217;s inhabitants are slaves to the web. *Smile* It is the easiest and cheapest way to get the word out about your films. Making a website can be free or near free so there is really no reason not to have one. </p>
<p><strong>4 Steps to getting your website ready:</strong><br />
1. Get good hosting (linux/unix hosting with Cpanel is highly recommend) &#8211; Hostgator.com is my favorite.<br />
2. In Cpanel (fantastico), or on your own, install a content management script (Joomla.org, Drupal, WordPress.org, etc.).<br />
3. Fill it up with content about your film company and film projects.<br />
4. Invest in an outstanding design template if you have no graphics design skills. I can not stress this enough. An uninteresting site is a worthless site, just like an uninteresting advertisement is an invisible advertisement (i.e. you website should not look like it was made in the early 90s).  If you need great templates for many of the popular, free content management scripts visit: Templatemonster.com, joomlart.com, and many others.</p>
<p>If you need outstanding quality print media, I&#8217;d recommend GotPrint.com.  I haven&#8217;t had too much of a need to use them for my films (but have used them for my publishing company) but you will need print media if you plan to work the film festival circuit.</p>
<p><strong>Tutorials:</strong><br />
<strong>Videocopilot.net</strong> &#8211; If you are interested in producing professional quality films with great effects, or just to learn how to use Adobe After Effects, this is the site for you. Not only do they have incredibly useful tools for purchase, they have fantastic free tutorials and an entire website dedicated to help you learn the basics of Adobe After Effects; a boot camp if you will. </p>
<p>Enjoy your art, Cheers!</p>
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		<item>
		<title>Back to working on documentary, Our Side of Joy</title>
		<link>http://www.threewestcreative.com/2082/back-to-working-on-documentary-our-side-of-joy/</link>
		<comments>http://www.threewestcreative.com/2082/back-to-working-on-documentary-our-side-of-joy/#comments</comments>
		<pubDate>Sat, 29 Nov 2008 20:04:21 +0000</pubDate>
		<dc:creator>Tressa Sanders</dc:creator>
				<category><![CDATA[Production Notes]]></category>
		<category><![CDATA[adobe premier]]></category>
		<category><![CDATA[crew]]></category>
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		<category><![CDATA[Filmmaking]]></category>
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		<category><![CDATA[movies]]></category>

		<guid isPermaLink="false">http://www.threewestcreative.com/?p=2082</guid>
		<description><![CDATA[Well I&#8217;m back to working on &#8220;Our Side of Joy&#8221;. I&#8217;ve been trying to figure out why I don&#8217;t just work on these two docs I have sitting here already filmed. I think I just don&#8217;t like editing. *smile* I can do it, yes. But I don&#8217;t like it. I think on future projects, if [...]]]></description>
			<content:encoded><![CDATA[<p>Well I&#8217;m back to working on &#8220;Our Side of Joy&#8221;. I&#8217;ve been trying to figure out why I don&#8217;t just work on these two docs I have sitting here already filmed. I think I just don&#8217;t like editing. *smile* I can do it, yes. But I don&#8217;t like it. I think on future projects, if I can afford to, I&#8217;ll most likely hire an editor.  I&#8217;m also a little concerned that I didn&#8217;t get enough B-roll to avoid making the bulk of this film, googobs of &#8220;talking heads&#8221;. I do have quite a bit of b-roll footage but is it &#8220;relevant&#8221; b-roll? We shall see when I start to put this thing together.</p>
<p>Since Our Side of Joy turned out to offer much more story than I anticipated, I&#8217;m having to go through the 6 hours of interviews and not only do some cutting but also write down every concept covered so I can see where my story needs to go, what needs to be left out, and what relationship the concepts have to each other to tell a coherent story. There is a lot of work to be done here.</p>
<p>I also spoke with a professional documentary story consultant about this film and while it was very interesting, not entirely what I was looking for. I&#8217;m always amazed at what people can get paid for. Anyway, I&#8217;m back to being on my own with this but would like to huddle up with a few people who can give honest feedback on the way this project is going.  On one hand it&#8217;s cool working alone because you can do whatever you want without having to wait on anyone but your subjects, but on the other hand, not cool because you do need the feedback of other people and help as well so you don&#8217;t feel so burnt out before the film is even done.</p>
<p>Well.. back to work. :)</p>
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